Posts tagged HARLEM SHAKE

UPDATE: The ‘con los terroristas’ sample on “Harlem Shake” comes via yet another Hollerboard alum, DJ Apt One
The story of the terroristas sample is expectedly convoluted. In a since-deleted blog post, DJ Apt One, of the Philly DJ duo Philadelphyinz, explained his “small role” in the song’s creation. The sample first emerged in 2010, employed as part of a Philadelphyinz remix of Gregor Salto, DJ Gregory and Solo’s track “Con Alegria.” In 2011, that vocal sample was made available, a cappella, as part of T&A Breaks 3: Moombahton Loops & Samples, a compilation put together by DJ Ayres and Tittsworth. Baauer, who spent time living in Philly while working under the name Cap’nHarry and DJed at least once with Philadelphyinz, used the sample (presumably pulled from the T&A collection) and sent DJ Apt One the track in 2012. “We all appreciated the local incestuousness of [“Harlem Shake“‘s] creation,” wrote Apt One. “I can’t be happier for Philly and for Baauer getting some shine!” On a February 18th Reddit AMA, Baauer dodged a question about the sample, saying only: “found it on the innerweb.”

UPDATE: The ‘con los terroristas’ sample on “Harlem Shake” comes via yet another Hollerboard alum, DJ Apt One

The story of the terroristas sample is expectedly convoluted. In a since-deleted blog post, DJ Apt One, of the Philly DJ duo Philadelphyinz, explained his “small role” in the song’s creation. The sample first emerged in 2010, employed as part of a Philadelphyinz remix of Gregor Salto, DJ Gregory and Solo’s track “Con Alegria.” In 2011, that vocal sample was made available, a cappella, as part of T&A Breaks 3: Moombahton Loops & Samples, a compilation put together by DJ Ayres and Tittsworth. Baauer, who spent time living in Philly while working under the name Cap’nHarry and DJed at least once with Philadelphyinz, used the sample (presumably pulled from the T&A collection) and sent DJ Apt One the track in 2012. “We all appreciated the local incestuousness of [“Harlem Shake“‘s] creation,” wrote Apt One. “I can’t be happier for Philly and for Baauer getting some shine!” On a February 18th Reddit AMA, Baauer dodged a question about the sample, saying only: “found it on the innerweb.”

INSANELY, BAAUER’S “HARLEM SHAKE” IS NAMED AFTER A HENNESSY YOUNGMAN LINE, FROM WHEN HE WAS IN PLASTIC LITTLE

The lyric came about as a result of getting into a fist fight over graffiti back in 2001, the same year that “Miller Time” was made. A friend of mine told me this kid was crossing me out, so logically I began crossing him out. Then one night after a [Plastic Little] show, I heard that the writer I had issue with was waiting to see me outside the venue. So I head outside with Kurt [Hunte], who is also in Plastic Little, to I guess talk with this guy. As I walk outside, I hear someone call me by my graffiti name so I turn to see who it is, only to be greeted by a 40 bottle to the face. Despite sneaking his opponent with a bottle, this kid got his ass beat (he was really bad at fighting). After several minutes, I got pretty bored with throwing punches so I grabbed him by his collar and tried to put his head through the passenger side window of a parked car. It didn’t go through luckily, but it created a lull in the fight where the two of us just stared at each other covered in blood. This was my first fight and I didn’t know how to properly “end” a fight, so I just smiled at him and did the Harlem shake, blood gushing from glass cuts on my face. The other kid, I guess not wanting to fight anymore, or maybe not wanting to fight someone who just danced at him, got on his skateboard and took off without his shoes. That’s why “Miller Time” ends with the line,And if you bring a forty bottle to battle me/ I’ll just punch you in the face/ then do the Harlem Shake.

AND NOWWWWw YOU KNOW

INSANELY, BAAUER’S “HARLEM SHAKE” IS NAMED AFTER A HENNESSY YOUNGMAN LINE, FROM WHEN HE WAS IN PLASTIC LITTLE

The lyric came about as a result of getting into a fist fight over graffiti back in 2001, the same year that “Miller Time” was made. A friend of mine told me this kid was crossing me out, so logically I began crossing him out. Then one night after a [Plastic Little] show, I heard that the writer I had issue with was waiting to see me outside the venue. So I head outside with Kurt [Hunte], who is also in Plastic Little, to I guess talk with this guy. As I walk outside, I hear someone call me by my graffiti name so I turn to see who it is, only to be greeted by a 40 bottle to the face. Despite sneaking his opponent with a bottle, this kid got his ass beat (he was really bad at fighting). After several minutes, I got pretty bored with throwing punches so I grabbed him by his collar and tried to put his head through the passenger side window of a parked car. It didn’t go through luckily, but it created a lull in the fight where the two of us just stared at each other covered in blood. This was my first fight and I didn’t know how to properly “end” a fight, so I just smiled at him and did the Harlem shake, blood gushing from glass cuts on my face. The other kid, I guess not wanting to fight anymore, or maybe not wanting to fight someone who just danced at him, got on his skateboard and took off without his shoes. That’s why “Miller Time” ends with the line,And if you bring a forty bottle to battle me/ I’ll just punch you in the face/ then do the Harlem Shake.

AND NOWWWWw YOU KNOW

HEY WHOEVER MADE THIS ^ WE WILL EXPLAIN IT TO YOU
FADER EXPLAINS: HARLEM SHAKE
How a Philly kid’s 2001 fist fight became a Baauer song that became an enormous meme

HEY WHOEVER MADE THIS ^ WE WILL EXPLAIN IT TO YOU

FADER EXPLAINS: HARLEM SHAKE

How a Philly kid’s 2001 fist fight became a Baauer song that became an enormous meme